Sunday, July 26, 2009

Guest Blogger: Cindy Carroll

The winner of Cindy's prize is: Sandy J! Congrats, Sandy! Send me your contact info and I'll pass it along to Cindy. Thanks to everyone who participated.

They’ll be back

Ghosts. They seem to be everywhere these days. Just check out the internet to see how many cities have haunted tours or ghost walks. Or check out TV to see the shows about ghosts and ghost hunting. I’m not talking just Ghost Whisperer either. There are a number of shows out there about tracking ghosts – America’s Most Haunted Inns. America’s Most Haunted Towns, Creepy Canada, Celebrity Paranormal Project. And don’t forget the movies. Movies about ghosts are popular whether they’re scary (GHOST STORY) or funny (GHOST TOWN).

But have you ever wondered if a ghost chose to haunt a certain place? From books, movies and television we think we “know” why ghosts come into being and why they haunt wherever it is they’re haunting. Violent death, unfinished business. But what if we got it wrong? Maybe they didn’t die some horrible death at the ranch that forced them to roam the stables looking for justice. What if they wanted to remain here? Maybe the ranch was the only place they were happy so in their afterlife they wanted to stay there. Have you ever said, “If anything happens to me I’m going haunt you”? I know I’ve said it on more than one occasion. And my friend says it me all the time. What if it were that easy? They just decided to come back and hang out for a while longer.

There has to be some sort of order to the afterlife. Maybe the ranch was a promotion. What if they did such a great job haunting their original place that they got promoted to a place of their choosing? Could they also get demoted? They were haunting a mansion but didn’t scare enough people so they end up having to haunt an outhouse.

We had a ghost when I was growing up. I have no idea who she was or what happened to her. But I always wondered why she was haunting our house. And why the adults could never hear her. Just my friends and I could hear her. We never saw her either. But we heard her typing at night when no one else was home. And we could hear her walk past our bedroom doors when no one else was there. She talked to my boyfriend once when he picked up the phone to call his mother. And two of my friends had a whole conversation with her thinking it was me. They were in the kitchen and they thought I was in the living room. I wondered why she didn’t follow us when we moved. The house felt different somehow. Maybe she was just lonely. The family that moved into the place after we left had three teenage daughters.

Whatever the reasons for ghosts haunting us, they’re not going away any time soon. Books, movies and TV will continue to bring us tales of ghosts, spirits and poltergeists and I for one am looking forward to them. Maybe I’ll even get a visit from a ghost wanting to make friends. - Go ahead. Make a scene.

Cindy will give away her complete 8 lesson workshop Is That Hollywood Calling? (with the extras) to one commenter. The winner will be selected and posted on Tuesday evening. Stop back by to see if you've won.

Tuesday, July 21, 2009

Rising From the Ashes

I met with a group of authors recently, and the subject of "starting over" came up. They shared some wonderful, inspirational stories about the twists and turns of a publishing career, and I wish I'd asked permission to tape the discussion. It really was very helpful to hear how these successful authors rose from the ashes at some point in their careers. In many cases, the authors in question were certain their careers were over -- that they'd never sell again.

Do you have an inspirational story? Words of wisdom based on a dark time in your writing career? It would be great if you'd be willing to leave a comment here with the general info about your "starting over" situation (no specific identifying details needed) or if you'd write a brief article I can post to the blog. If you'd like to send your story to me directly, please send it to:
All inspiration is good inspiration.

July 22, 2009:

I will start adding stories here as they trickle in.


Brenna Lyons

I've had to start over, more or less, twice in my career. The first time was after a seven-year dry period. I'd lost my muse. In rebuilding my life during a separation, I rediscovered writing and held on with both hands. It revitalized me, brought me back to life and reminded me what had always meant so much to me.

The second time was when the publisher I'd placed most of my work with finally went too far, and I pulled everything. It was my choice to do it. It was necessary. It was exhilarating. It had me shaking in terror. But within a few months, I'd placed everything again. I had publishers asking me for one series or another. At that point, I realized that a resume and name will travel with you, even if you've had to leave a bad situation.

Susan Kearney

When I started writing my first manuscript I knew nothing. I didn't even have chapters in the book or commas. Eventually, I had an agent take me on and then drop me because she was intimidated by the size of the box I'd sent the manuscript in. But after writing 5 manuscripts in 16 months and rewriting each one about 5 times, I finally got the call!! Kensington books offered to buy my Viking Historical romance. On proposal!! Of course I told everyone!! And then had to fisnish the book in 2 months. And when I sold the second book, I finally got another agent. But some people didn't believe that I'd really sold a book. But I had an advance, an editor, a contract and an agent. I was on my way. And then Kensington dropped the Heartfire Line. I kept the advance and got back the rights, but those 2 books were never published. And my agent dropped me at the same time. My career was over before it had begun--or so I thought.

People didn't say it to my face, but I just knew they thought I'd lied about selling a book. I worried I'd never sell again, but I didn't think about giving up. I don't know why--I was very stubborn. Four months later I switched from writing historicals to romantic suspense and targeted the old Intimate Moments line at Harlequin. But after she rejected the story, the editor suggested I send the proposal to Harlequin Intrigue. So I did. And an editor called to make an offer. Now bear in mind I had never read a Harlequin Intrigue. When the Intrigue editor called she offered to buy the proposal and said that of course for Intrigue I'd have to put in more action and quicken the pace. I answered, "Of course." But I didn't really have a clue. :) So I went out and bought ten Intrigues and then revised. And went on to sell over 50 books. I bet that agent who dropped me wishes she hadn't. :) But I also learned that this book business is crazy. That so much is simply out of our control. I don't take anything for granted. And with each new contract I'm thankful to sell another book.

Laura Resnick

Years ago, I wrote a proposal for an urban fantasy series about a struggling actress who has fantastical adventures in New York City. My then-agent sent it out to three houses. They all rejected it, and the agent permanently retired the proposal, refusing to send it elsewhere and refusing to discuss it again.

A few years later, I left that agent. Shortly thereafter, I sent out the urban fantasy proposal on my own to see what would happen.

Within 2 months, I had a good offer for it from Luna Books. So I hired my next agent, who negotiated the deal for this offer.

Luna released the first book in the Esther Diamond series, DISAPPEARING NIGHTLY. However, the packaging was generic and off-target (you couldn't tell anything at all about the book from the cover, not even that it was fantasy), the book was released without promotion or support in mid-December (the worst month of the year for fiction, unless the book is positioned to be a Christmas gift), and sales were poor.

A few months later, Luna cancelled the second and third books, and they terminated my contract. Next, my relationship with my agent (who was my fourth agent) quickly began to resemble that of a dinner guest whose hostess starts yawning copiously and glancing often the clock. So I left.

I still believed in this urban fantasy series, so I wanted to try to sell the second book and relaunch Esther Diamond. So I began looking for a fifth agent to represent me. Everyone I queried rejected me. Some were polite, some were not, and all of them thought this series was unmarketable. Nor were these agents at all interested in discussing my other projects.

I had already, prior to these events, had a very bumpy career, having been through (did I MENTION?) four agents and multiple publishers. But I was feeling badly winded by the events of the past few months, and I found myself just lying there on the floor, gasping for air. I began wondering if I would look back on this period -- years later, doing something else for a living -- as the point where my writing career had entered its death spiral.

As I started eventually regaining my breath (fortunately, I have a lot of innate resilience), I decided that rejection by agents was not accomplishing anything at all besides making me feel depressed and discouraged. So I resolved to forget all about agents and send the proposal for book #2 in the Esther Diamond series out on my own. This way, I reasoned, I'd get rejected by people (editors) in a position to publish the book, which seemed at least marginally more productive than being rejected by people (agents) not in a position to publish it. I compiled a list of markets that published urban fantasy or that had said they were interested in it, and I began submitting to them.

Three weeks later, DAW Books, a major fantasy house, put an enthusiastic 3-book offer on the table for Esther Diamond, for slightly BETTER money than my fourth agent had negotiated for me at this series' former publishing house. Rather than hiring a fifth agent, I instead hired a literary lawyer to negotiate the contract for me. It's an arrangement that worked so well, it's how I've been handling my career ever since then; I run my career and make my deals, and my literary lawyer negotiates my contracts for an hourly legal fee. Not only am I making more money that I used to, I'm also getting better contractual terms now, too.

Since making the sale, I have delivered the next Esther Diamond novel, DOPPELGANGSTER, to DAW Books -- where it has met with tremendously gratifying enthusiasm and support. Additionally, DAW comissioned award-winning cover artist Daniel Dos Santos to do the cover illustration, and it's fabulous! The cover art is eye-catching, dynamic, clever, sexy, fun, and sets exactly the right tone for this urban fantasy novel -- and also for this series, which DAW is relaunching with this book in January.

We don't have a final bookcover yet, but you can see Dos Santos' illustration for DOPPELGANGSTER (January 2010)at his website:

Elissa Malcohn

Ever since I was a kid, I knew that whatever job I worked would support my writing. That equation became dicey when I faced steady multiple shifts, for various reasons. In each of my long-term jobs, I ended up serving two departments simultaneously while freelancing to supplement my income.

My first professional sale (to Asimov's in 1984) made me a John W. Campbell Award finalist, and suddenly I had more attention than I knew what to do with. The attention was wonderful, and I tried to respond to requests for more work. But there came a point where my submissions failed consistently, and for good reason, because I was living my life in a state of exhaustion. On top of the workload, I was also dealing with a debilitating physical condition finally remedied by hormones.

Treating that condition gave me the confidence to quit my job and freelance fulltime for two years, but my writing and editing were corporate rather than creative. I produced subpar fiction drafts that I knew were not submission-worthy; whatever I'd had before, I seemed to have lost it. I kept a journal. I published articles and book reviews. During the 1990 recession I again entered regular employment that included all-nighters. Other circumstances made me the sole wage-earner for my household. I saved my creative sanity by experimenting with mixed-media art, and managed to exhibit and sell some pieces.xI returned to fulltime freelancing in 2003 and started writing for submission again. Completing my first short story in more than a decade told me I still "had it."

My personal mantra is, "Nothing is wasted." The frustrations and heartaches of my years away let me reach a place in myself that ultimately benefited my writing. It had less to do with craft than with a state of being. I am thankful for every work I can produce, every sale I make, and now for every release. My most recent challenge involved Aisling Press, which published the first volume of my Deviations series in 2007 and tanked in 2008 before it could publish the sequel. With a six-book series drafted and readers asking me when the next book was coming out, I began to release the series as free downloads, with plans to make the third volume available in December. I am very grateful to people willing to review what are now self-published e-books, to for making those books available, and to everyone who has downloaded the work from there and from my website. And I am thrilled that publications are again picking up my short fiction, poetry, creative nonfiction, and articles.

Shanna Swendson

I sometimes say that I've had two writing careers: the training wheels career and then the real one. At least, that's how I like to rationalize that long dry spell that came in the middle. I sold my first book when I was very young and very naive about the business. Because I sold the first book I wrote to the second publisher I sent it to, selling a book seemed easy to me. I sold two more to that smaller publisher, then with my next book, I sold to Silhouette. I did have a couple of proposals rejected, but did end up selling another one. All of this came within about four years.

And then I hit a brick wall. My editor left and then my line folded, and I didn't seem to fit anywhere in the house. I tried writing a single title and got an agent, but kept getting those "we like it, but not enough to buy it, send something else" rejections. The "something else" sat for more than a year with no response, and then my agent stopped responding to my e-mails and calls -- and didn't even respond other than to sign the registered mail card when I sent the official break-up letter. During this time, I got laid off from my job and was trying to get a freelance writing business off the ground, so I was even more frantic to sell something. I got really busy, writing a lot of proposals, rewriting older books to better fit the market, and submitting to both agents and editors. Whenever I seemed to have a positive response -- like an editor at a conference telling me to submit -- I ended up feeling like I was taking a step back -- getting a form rejection letter from the editor who'd told me to submit. I reached the point that writing wasn't even fun anymore, and I felt like a pariah, like there was some blacklist in New York with my name on it.

During all this time, I'd had this wacky little idea about a book I thought of as "Bridget Jones meets Harry Potter," combining my two favorite genres, fantasy and chick lit. I hadn't done anything with it because I wasn't sure there was a market for it. I hadn't found anything quite like it, which I worried meant no one wanted it. I was afraid that the chick lit elements would keep fantasy editors from liking it and that the fantasy elements would keep it from being chick lit. But when I was chatting with an editor about it at a conference and she got excited, I decided to give it a shot. I wrote it mostly because I wanted to write it, because it was what I wanted to read that I couldn't seem to find anywhere, and when I was done, I had a feeling I had something special. I still wasn't sure if it was chick lit or fantasy, so I sent a query to one of the few agents I could find who represented both, and she asked for it, then took me on as a client.

The book did get rejected all over the place -- including by the editor who'd initially been excited about it -- but it only takes one, and Ballantine Books bought it, eight years after my last contract. Enchanted, Inc. was published in 2005, went on to be published in multiple countries and has even been optioned for film by a major studio, with the screenwriter of P.S., I Love You, Kate and Leopold, and Hope Floats hired to write the screenplay. There have been three sequels, also published internationally. I think I appreciated this phase of my career more because of what I'd gone through, and the early phase of my career gave me the experience and knowledge to handle what came later, without it counting against me, since it was so long ago and in a different field. I was a debut author and a veteran, all at the same time, so I knew how to deal with editors and generally what to expect from the process even though I was making a fresh start. I don't know that I'd plan my career to go exactly the way it's gone if I had it to do over again, and I wouldn't say that I have no regrets, but it did work out for me, and I remind myself of that whenever I hit some kind of set-back.

Shanna Swendson
Now available from Ballantine Books
Fairy Tales for Modern Times" href="

Vonna Harper
Boy can I relate to the starting over topic. I entered the book writing field doing category romances for H/S and danced that dance for maybe 10 years. Then my mss. started languishing on my editor's desk and I finally got it that my services were far from highly sought.
Around that time my then agent told me to try historicals because the genre was taking off. I dragged my heels saying I didn't read historicals and wasn't interested, blah, blah. Her reply: "You live in a national historic landmark. Quit pissing and get writing." So I did and that led to a 7 book gig with Tor doing mainstream Native American historicals which I loved.

Then a combination of several things including NA sliding out of favor with readers and a total change in my cover art that went from action/people oriented to literary severely pulled down my numbers and I was out on the street again.

Because the bills kept coming in, I started working as a writing instructor. That sucked up my brain and left no time for my own writing. Then my mother broke her pelvis. During one of the many, many driving trips to see her, I had one of 'those' moments. Life was too short not to spend it doing what I wanted to. My priorities became 1. family. 2. writing. A few months later I attended a writers' conference where I met Kate Douglas who is Kensington Aphrodisia's lead erotica writer but started with Ellora's Cave. "Erotica is going to soon be HOT," she told me so I read a few of her stories. When I pulled my tongue off the floor and my eyes back in my head, I decided to give it a shot.

I now write for Aphrodisia, EC, and LooseID. That said, romantic suspense continues to whisper to me so who knows.
A touch, and more, of erotica

Monday, July 13, 2009

Guest Blogger: Elizabeth Amber

Elizabeth's winner is: afstone3! Congratulations! Send me your contact information and I'll pass it along to Elizabeth. Thanks to everyone who participated.

Are you paranormal?

I just looked up the word “paranormal” in the giant Random House dictionary I’ve had forever. To my surprise, it’s not there. The dictionary’s copyright date is 1983, so I guess the word wasn’t part of the lexicon back then. Things have changed, especially in romance novels. Paranormal has never been more popular.

“Para” means “beyond.” Beyond normal. I like that. I’m pretty normal in my everyday life, and I didn’t really recognize any particular paranormal traits in myself until I wrote my first romance novel, Nicholas, The Lords of Satyr. I wrote it because I had read romances forever, and because I had an idea. But it was an idea outside of the normal realm of romances I was comfortable reading. My idea was about men who are satyrs -- the carnal followers of Bacchus in Roman mythology -- who own a vineyard in 1800s Tuscany, where they guard ancient secrets and engage in rituals that secure their heritage.

This idea was “beyond normal.” It was erotic and it unexpectedly rushed from my brain to my fingers and on to paper. When it was finished, I let my bf, and only my bf, read it. She pronounced it kinky and urged me to submit it to a publisher. When it was published by Kensington, along with three more in the series, my family was supportive, but confused. Why was their normal daughter/sister writing erotic historical paranormal romance? I’d gotten out of the box they’d grown used to seeing me in.

My mom was delighted when one of my book covers (Dominic) was featured on The Today Show in an interesting video about the current boom in romance novel sales. See it at:

For my mom, the world had now righted itself. After all, if my work was on a show she watched religiously, I must be just as normal as she’d hoped after all!

How about you? If you had to check a box that you’re “normal” or “paranormal” in your everyday, work, or dating life -- which would you check and why? The same in all three? Is there any one thing about your personality that’s paranormal? If you’re pretty average/normal in other respects, do you read paranormal? Why do you think that is?

Thanks for stopping by. I hope you’ll leave a comment. Lynda will choose someone to win a copy of my fourth novel, Dominic, The Lords of Satyr! Visit to read excerpts of my erotic historical paranormal romances.

~ Elizabeth AmberNicholas
Raine Lyon Dominic : The Lords of Satyr series
Coming soon: Daneerotic historical paranormal romance
Kensington Aphrodisia

Elizabeth's winner will be chosen and posted here on Tuesday evening. Stop back by to see if you've won.

Sunday, July 05, 2009

Guest Blogger: Eilis Flynn

The winner of Eilis's book is: PamK! Congrats, Pam. Give me your contact info and I'll send it along to Eilis. Thanks to everyone who participated.

No matter how far out we get, some things remain the same

One of the things I appreciate most about fantasy and science fiction is the universality of the most basic elements. Food, shelter, love, family . . . no matter how exotic and foreign some details get, our characters still have certain needs. In ECHOES OF PASSION, Daegon Bosaru has to protect the good name of his dying father . . . find out who the woman is who's been haunting his dreams for the past twenty years . . . and get some of that good old-fashioned Neoti cooking (um, yes. It didn't occur to me that I actually went into the cuisine of Neotia Prime until I reread the book when I got the final copy). It wasn't intentional, but eating is as basic as you can get with living organisms, right? I couldn't imagine what could evoke memories of home more than the smells of home cooking, no matter if that home is far, far away, or even as alien as alien could be (here's a hint: the dude's green. Very, very green).

Here's a bit more about ECHOES OF PASSION, which is part of the sci-fi Hunters for Hire series, available from Ellora's Cave and Cerridwen Press! Here's a bit about it:

Neotia Prime . . . The home world of the Neoti and the Vozuans was destroyed by a doomsday device twenty years ago, but the troubles and unrest that led to the event still plague those who resettled on the twin planet.

When Daegon Bosaru arrives on the unnamed world, determined to uncover who is out to smear his dying father’s good name, he discovers that the tragedies of that civil war still haunt those who remain. Not only that, the mysterious, beautiful woman he’s been seeing in his dreams over the past twenty years may have information he needs. But when he finally meets Imreen Dal in the flesh, she seems not to know him — and furthermore, she runs from him every time she encounters him. Why?

Rumors persist that the crazed dictator who set off the doomsday device may still be alive . . . with fresh plans for conquest. Bosaru needs to find out how his father, the mysterious Imreen and the madman are related . . . and stop another world from being destroyed.

You can find it now at:

Now, what kind of food smells evokes memories for you? For me, it's the smell of roasting sweet potatoes on a cold winter morning. One lucky person who comments will win a download of INTRODUCING SONIKA (and come to think of it, there's food in that book too -- but that's plain old-fashioned human food)!

ECHOES OF PASSION, on sale now

The winner of Eilis's book will be selected and posted on Tuesday evening. Stop by to see if you've won.

Food: Life Force (and a photo of a vampire cow)

Yesterday I posted a rant about the movie, "Food, Inc." As often happens, I have a large reaction, burn up the keyboard with my opinions, then -- after sanity returns -- erase whatever I wrote. I used to do that with emails, and it kept my life in turmoil, because they mostly couldn't be "unsent." Live and learn. So, here's a calm post about food.

The movie is very good. Thought-provoking. Upsetting.

I don't know why I didn't get enthusiastic about the notion of eating real food until now. I've certainly heard about organic/natural food for the three decades I've lived in Boulder. But, for whatever reason, I didn't click into the words REAL FOOD before. And, as I've just discovered, products labeled "organic/natural," aren't always REAL FOOD. As usual, there's lots of razzle-dazzle going on in the marketing of "organic/natural" foods.

Anyway, watching the movie and listening to Michael Pollan's "In Defense of Food" on CDs has startled me into expanded consciousness. Something about the way Michael explains things just works for me. There's no pretentiousness or self-righteousness. Just extremely helpful explanations. He says we've gotten lost in "nutritionism," and are eating "food-like substances" rather than REAL FOOD, which leads to disease, obesity, and fouling our own nest.

I'm in the midst of a paradigm shift. New neurons firing. Channeled anger. I need to learn about real ingredients, grass-fed beef, real organic chicken, buying local veggies and fruits. Whew. I need to rediscover the joy of food. Or maybe discover it, since most of the vitality-sucking of our foods began even before I was born.

So, I recommend Michael's books and the movie. Here's a link to the "Food, Inc." trailer on youtube:

p.s. if anyone knows about any classes in the Boulder area on finding and cooking REAL FOOD, please leave a comment.